Tuesday, December 13, 2011

notes

Todorov Theory


Ronald Barthes

Claude Levi Strauss -All stories are propelled forward by conflict that is caused by characters and event opposing each other that opposites are important to a story
Binary opposition: where texts are organised around sets of opposite values such as good and evil, light and dark poor and rich

Monday, December 12, 2011

planning

Planning and Research



The International - 15
The Bourne Identity - 12 (universal picture ltd)
The Da Vinci Code - 12A
The Fugitive - 15
Traffic - 18
Jacobs ladder - 18
Dancer upstairs - 15


The "12A" certificate is just for videos, DVDs and games
'A' stands for accompanied and advisory


when a film is rated as a 12 it means
"Exactly the same criteria are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or contain material which many parents will find unsuitable"


when a film is rated as a 18No-one younger than 18 may see an ‘18’ film in a cinema. an eigtheen may include strong violence nudity& strong language 


when a film is rated as a 15 no one under the age of 15 may view it  a film rated as a 15 may contain strong language scenes of a sexual nature, & moderate violence

mood board for film opening

Mood Board

mood board with inspirations

Mood Board

thriller conventions

Thriller Conventions

mood board for the ideas of our film opening

Mood Board 2

Sunday, December 11, 2011

some inspirations





The lighting in this scene and the flash backs are inspirational the dark lighting highlights his position since Bourne is a man on the run its dark and not too bright this shows that he in fact is incognito; as our main protagonist is also incognito the way this opening scene is lit, could help us with ideas of how ours can be .
The flash backs in this seen are fast and fragmented, it is not just one looong flash back this could help us with the way we either edit the flashback ,or film it
in some of the Bourne films there is audio before the visual this is creative as it not just your ordinary flash back and we don't want our film opening to be boring and ordinary ;)








The music used in the scene is very good, as it gets more dynamic in key areas of the chase scene.
In the first scene (when the officers were after him) the lighting used is very good the lighting very dark and mysterious the cross cutting between the two scenes is appropriate and essential the fast editing helps create tension; the tension is also built by the music
in our opening scene the music would need to do this so it shows that something is about to happen. When Bourne began to run the music picked up showing the audience that something is about to kick off the music would change at key areas ; when he finally escapes the music settles and becomes relaxing showing the audience that he is now safe and we don't need to worry .







in this scene we see just how clever Jason Bourne is one thing that captures an audience is if the main protagonist is clever and has moments that make you respect them as a character
in our opening scene we could use some documents or hint to the viewers that this protagonist is smarter than his pursuers . in this scene we also see how Bourne is dressed he is not in a suit he is in casual clothing; i think this is more a  realistic attire for someone who is on the run, than if he was in a suit; for our main protagonist i think it would be more suitable if he was in casual clothing  . in addition he uses gadgets in this scene to open a voice activated compartment we could consider the props we may use in our opening scene .